Cannibal! The Muscal (1993)

Cannibal! The Musical (1993)                      2.5/5

Directed by Trey Parker

Trey Parker, Toddy Walters

In this early work from the creators of South Park, we hear the story of Alferd Packer, a man who attempted to lead a group of miners through the Rockies during the late 1800’s. As the result of various complications, Alferd ended up the sole survivor, the rest of his group having been killed and eaten. Parker uses the shockingly true tale as the basis for this darkly funny musical.

The plot is ridiculous and over the top, but in the exact way one might expect from Parker and his longtime creative partner Matt Stone. Parker manages to successfully tell an absurd story, while also including several secondary plot points such as Packer’s relationship with his horse Liane. True to Parker’s style, nothing is particularly hard-hitting, and many jokes are somewhere between predictable and overused, but it is entertaining nevertheless.

Thematically, there is little to be found beyond Parker’s usual commentaries on religion and society (featured notably in the town’s desire to see a violent show regardless of justice). What deeper meaning there is comes across clearly and in a satirically funny way, but do not expect to spark any deeper philosophical discussions by watching this.

Visually, it shows both its age and budget (or lack thereof). The cinematography is often quite stiff, holding many shots for an extended period. The costuming and sets, however, are surprisingly impressive. Everyone’s mode of dress is rich in detail and gives a clear sense of the character before they even speak. Some particularly expressive and funny costumes include the filthy band of fur trappers as well as the clearly Japanese “Indians” who make a point of pretending to be Indians.

The performances are at best the typically exaggerated ridiculous type found in Parker and Stone’s work, and at worst they are amateurish and poor. The main cast deliver an entertaining picture full of large outbursts. The smaller roles, however, all feel like actors delivering stiff, mechanical characters. The musical numbers are entertaining in Parker’s signature style, poking fun at the idea of a musical. One surprisingly entertaining performance comes from Jon Hegel as one of the miners named Swan, who sings joyfully about building a snowman as he loses his mind to the harsh conditions the gang of men face.

Overall, the film is purely entertaining without much else going for it. The costuming is well done, and it features the signature Parker/Stone sense of humour, but it is blatantly evident that this is an early attempt from the comedy legends. It is not a great film, but for anyone looking for a little laugh or wanting to discover the roots of the South Park and Baseketball masterminds, this may be one to watch.

This review was requested by James Roberts.

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